Film aficionados will readily recall a masterful early example of Film Noir, 1944’s classic “Laura”. A suspenseful dark romance, it opens with a street-smart detective, Mark McPherson (played by Dana Andrews) finding himself fixated by a portrait of a wealthy, beautiful young lady, Laura Hunt, who has mysteriously disappeared (superbly essayed by Gene Tierney), and foul play is suspected. Although they have never met, McPherson finds himself enamored of the lady in the portrait, falling hard for the missing Laura. After numerous twists and turns, peppered with attempted murder, Laura’s cad of a fiancée, a venomous poison-pen news columnist and a cast of characters (each with their own agenda), all ends well. McPherson and the very-much-alive Laura fall in love and all is right in the world. Fade to black. A similar, teasingly enigmatic portrait of a beautiful lady, by renowned artist Denman Fink, hangs in the Coral Gables Museum. Done in 1943, it captures the imagination of those...
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